that’s the whole point of frodo—there is nothing special about him, he’s a hobbit, he’s short and likes stories, smokes pipeweed and makes mischief, he’s a young man like other young men, except for the singularly important fact that he is the one who volunteers. there is this terrible thing that must be done, the magnitude of which no one fully understands and can never understand before it is done, but frodo says me and frodo says I will.
(when boromir is thinking of how he can use the ring to defend gondor, when aragorn is thinking of how it brought down proud isildur, when elrond is holding council and gandalf is thinking of how twisted he would become, if he ever dared—)
but then there’s frodo, who desires nothing except what he has already left behind him, and says, I will take the Ring.
it is an offer made out of absolute innocence, utter sincerity. It is made without knowing what it will make of him—and frodo loses everything to the ring, he loses peace and himself and the shire, he loses the ability to be in the world. It’s cruel, the ring is cruel, it searches out every weakness you have and feeds on it, drinks you dry and fills you with its poison instead, the ring is so cruel.
and frodo picks it up willingly. for no other reason except that it has to be done.
(the ring warps boromir into a hopeless grasping dead thing, the power of the palantir turns denethor into an old man, jealous and suspicious, it bends even saruman, once the proudest of the istari, into a mechanised warlord, sitting in his fortress and bent over his perverse creations—all the best of intentions, laid waste)
but there’s a reason gollum exists in the narrative, which is to show—well, to show what frodo might have been. because even as frodo grows mistrustful and wearied, as the burden of this ring grows heavier and heavier, he is never gollum. he is gentle to gollum. he is afraid—god frodo is so afraid for 2/3 of these books he is so tired and afraid, but he keeps moving, he walks though it would pull him into the ground, because he asked for this, he said he would.
someone else could have carried the ring to mordor, I suppose. the idea of a martyr is not dependent on the particular flesh and blood person dying for some greater purpose. but such a thing has to be chosen, lifted onto your shoulders for the right reason, the truest reasons, and followed into the dark, though it would see you burnt through and bled out.
I will take the Ring, though I do not know the way.
y'know say what you want about tumblr (and I have), but this is still probably the simplest and most powerful distillation of the heart of the Lord of the Rings I’ve ever read. I think back to it all the time
I genuinely love Eragon, I think he’s a good person, but his attitude towards Murtagh specifically has this distinct, almost cold lack of empathy. And it’s strange he feels like that in this particular situation because Murtagh’s fate- his capture, his torture, his dragon used like a hostage, their enslavement- that exact fate in its entirety is bearing down on Eragon through the whole story. Because that’s exactly what would happen to Eragon if he’s ever captured. That fate is snapping at his heels; it gets close enough to draw blood. Yet Eragon tends to act like he’s above Murtagh’s situation. He looks on it with pity, but also disgust, all with an air of distance and separation. There’s never a horrified realization that this is what’s waiting for him if Galbatorix captures him.
For that reason, I think Eragon’s lack of empathy for Murtagh stems in part from a rather desperate optimism. He refrains from considering the worst possibilities to avoid despair over what he can’t control. But that leads to this jarring disregard for the suffering of a man he is irrevocably connected to. Murtagh is a mirror of Eragon, reflecting what would become of him if the king ever gets his hands on him. Eragon is not above this; he is, in fact, so terrifyingly vulnerable to it. Even as he fails to imagine himself in Murtagh’s place and understand him in that way, Eragon is the one most likely to end up in that place.
That alone should warrant empathy, but Murtagh is more than just a mirror. Eragon’s luck has not held out, he has not been fortunate enough to outright avoid what Murtagh fell victim to, and the singular reason he’s been spared that fate is Murtagh himself. Three times. Once outside of Dras Leona when he rescues him from the Ra'zac, again in Gil'ead when he’d been captured by Durza, and a third time on the Burning Plains when he lets him go despite his orders. Murtagh saves Eragon from capture, torture, and enslavement under Galbatorix and he does it over and over. Murtagh simultaneously exemplifies the worst fate Eragon could suffer while singlehandedly protecting him from it. And Eragon never once acknowledges it.
Based on both decent and not so decent replies, I have made some changes to my original post below.
It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:
Kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.
If you really liked it, you should comment. It can be long and detailed or a literal keysmash. Writers don’t care, we just love comments.
No critisism unless the author has specifically asked or agreed to hear it. Even constructive critisism is a no-no unless an author note tells you it’s okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don’t ruin that for them.
Do not comment to ask the author to write/update something else. It’s tacky and off-putting and will probably have the opposite effect than the one you want.
There is no algorithm, it’s an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.
For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don’t care how cringy that trope is in your eyes - it gets tagged.
Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.
Nothing is banned. This is an implicit rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.
People can create new chapters and sequels/fic series any time after they “complete” a story. So it’s considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.
Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite). It’s an archive, not social media. No one cares what’s the most recent, only what fits their tag needs.
Try to avoid deleting a story you wrote if you hate it - make it anonymous or orphan it so others can still enjoy it, without it being connected to your name anymore.
It’s come to my attention that metaworks ARE allowed on AO3, which is something I wasn’t aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it.
The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed.
I KNOW there’s plenty more I missed but I’m trying to cover most of the basics that people seem to be struggling with.
I invite anyone to add to this, but please explain, don’t berate.
ALT
